https://liamrandlesmartin.com Liam Randles-Martin Tue, 29 Nov 2022 07:59:21 +0000 https://liamrandlesmartin.com en https://liamrandlesmartin.com/Home Wed, 19 Aug 2020 12:41:38 +0000 Liam Randles-Martin https://liamrandlesmartin.com/Home <img width="801" height="1203" width_o="801" height_o="1203" data-src="https://freight.cargo.site/t/original/i/8d717147a3f94dab800831543f436c3fed270635d983fb817216fbab4be68e50/Thomas-Dowell-1929.jpeg" data-mid="80295665" border="0" data-scale="60" data-no-zoom="true" data-icon-mode alt="Thomas Dowell, 1929" data-caption="Thomas Dowell, 1929" src="https://freight.cargo.site/w/801/i/8d717147a3f94dab800831543f436c3fed270635d983fb817216fbab4be68e50/Thomas-Dowell-1929.jpeg" /> <img width="818" height="1223" width_o="818" height_o="1223" data-src="https://freight.cargo.site/t/original/i/2091600b5ac176e149cc6409b496914b95b8951304d33ae962c76471275d873d/Frank-Everett-1931.jpeg" data-mid="80298353" border="0" data-scale="60" data-no-zoom="true" data-icon-mode alt="Frank Everett, 1931" data-caption="Frank Everett, 1931" src="https://freight.cargo.site/w/818/i/2091600b5ac176e149cc6409b496914b95b8951304d33ae962c76471275d873d/Frank-Everett-1931.jpeg" /> https://liamrandlesmartin.com/Selected-Works Thu, 01 Oct 2020 08:13:57 +0000 Liam Randles-Martin https://liamrandlesmartin.com/Selected-Works https://liamrandlesmartin.com/About Thu, 01 Oct 2020 06:50:46 +0000 Liam Randles-Martin https://liamrandlesmartin.com/About Liam Randles-Martin is an artist living and working on&nbsp;unceded Wurundjeri land in Naarm/Melbourne.Liam sees himself as a dilettante, accumulating scraps&nbsp;of knowledge about visual culture, philosophy and history&nbsp;while maintaining an ongoing preoccupation with the themes&nbsp;of both time, history and irresolution. This interest&nbsp;manifests itself in the use of detached imagery, obsolete technology and opaqu phraseology in an effort to create&nbsp;and maintain a state of ambiguity and doubt. In doing so&nbsp;he cultivates a space of questioning, in the hope of one&nbsp;day understanding his own state of being.Liam received a BVA and BA from Monash University in 2019, and is currently completing his Honours in Visual Art at the Victorian College of the Arts. His current honours project is concerned with creating hypothetical counter-narratives to call into question how history is recorded and remembered. Previous exhibitions include Pseudochronology at Trocadero Artspace (2019) and Oh, How I Sighed at&nbsp;Intermission Gallery (2018). His work is held in private collections across Australia.liammartin251@gmail.comArtist CV&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;<img width="2048" height="3091" width_o="2048" height_o="3091" data-src="https://freight.cargo.site/t/original/i/1e70e082247cd319869c8522ce2ef9deb5006b3742948e0f6b5af472df71033b/000076570002.jpg" data-mid="99147664" border="0" data-scale="29" src="https://freight.cargo.site/w/1000/i/1e70e082247cd319869c8522ce2ef9deb5006b3742948e0f6b5af472df71033b/000076570002.jpg" /> https://liamrandlesmartin.com/Softly-Walking-Slowly-Looking Tue, 29 Nov 2022 07:32:00 +0000 Liam Randles-Martin https://liamrandlesmartin.com/Softly-Walking-Slowly-Looking ‘ <img width="4928" height="3264" width_o="4928" height_o="3264" data-src="https://freight.cargo.site/t/original/i/195c030a2894cce371b905c6cc106fcbd1cc3e1b428c2724e720083ca0b01bee/4BDC9A21-4767-4C97-8DE4-EBC472C737DF.jpeg" data-mid="160456834" border="0" alt="'The Boundless Potential of a Future Contained in the Present', 2022, miniature greenhouses, spray bottle, paper towel, wattle seeds gathered on Wurundjeri Country including black wattle, golden wattle and blackwood and seed pods" data-caption="'The Boundless Potential of a Future Contained in the Present', 2022, miniature greenhouses, spray bottle, paper towel, wattle seeds gathered on Wurundjeri Country including black wattle, golden wattle and blackwood and seed pods" src="https://freight.cargo.site/w/1000/i/195c030a2894cce371b905c6cc106fcbd1cc3e1b428c2724e720083ca0b01bee/4BDC9A21-4767-4C97-8DE4-EBC472C737DF.jpeg" /> <img width="4928" height="3264" width_o="4928" height_o="3264" data-src="https://freight.cargo.site/t/original/i/535fef724cc85f414177ba720372f992abc86fbaaa904f9224b5eaa27e5149a4/8DA77094-34F9-497C-AE41-304759541531.jpeg" data-mid="160456835" border="0" alt="Installation view" data-caption="Installation view" src="https://freight.cargo.site/w/1000/i/535fef724cc85f414177ba720372f992abc86fbaaa904f9224b5eaa27e5149a4/8DA77094-34F9-497C-AE41-304759541531.jpeg" /> <img width="4928" height="3264" width_o="4928" height_o="3264" data-src="https://freight.cargo.site/t/original/i/bc531449f6db064c18fa457daa0605b08c61f2af4c38f876343d710fcf56005f/28B686F6-297D-4A93-BDAD-E538A1C40BFA.jpeg" data-mid="160456836" border="0" alt="'The Boundless Potential of a Future Contained in the Present', 2022, miniature greenhouses, spray bottle, paper towel, wattle seeds gathered on Wurundjeri Country including black wattle, golden wattle and blackwood and seed pods" data-caption="'The Boundless Potential of a Future Contained in the Present', 2022, miniature greenhouses, spray bottle, paper towel, wattle seeds gathered on Wurundjeri Country including black wattle, golden wattle and blackwood and seed pods" src="https://freight.cargo.site/w/1000/i/bc531449f6db064c18fa457daa0605b08c61f2af4c38f876343d710fcf56005f/28B686F6-297D-4A93-BDAD-E538A1C40BFA.jpeg" /> <img width="4928" height="3264" width_o="4928" height_o="3264" data-src="https://freight.cargo.site/t/original/i/83624292f04aaa70901cd9b15eaefb46bf061fe374eb445361a618fd0c53439c/AE39D5C5-4AB9-4254-9C8E-894A77E5A9F2.jpeg" data-mid="160456837" border="0" alt="Installation view" data-caption="Installation view" src="https://freight.cargo.site/w/1000/i/83624292f04aaa70901cd9b15eaefb46bf061fe374eb445361a618fd0c53439c/AE39D5C5-4AB9-4254-9C8E-894A77E5A9F2.jpeg" /> <img width="4844" height="3208" width_o="4844" height_o="3208" data-src="https://freight.cargo.site/t/original/i/5d05052fde73aa333605739400d2eff74926beb041438507a4341904cd9e05bc/BA7022CC-CEDC-476F-9A75-62953FCACD2D_1_201_a.jpeg" data-mid="160456838" border="0" alt="Installation view" data-caption="Installation view" src="https://freight.cargo.site/w/1000/i/5d05052fde73aa333605739400d2eff74926beb041438507a4341904cd9e05bc/BA7022CC-CEDC-476F-9A75-62953FCACD2D_1_201_a.jpeg" /> <img width="1726" height="1166" width_o="1726" height_o="1166" data-src="https://freight.cargo.site/t/original/i/53150017a3ca9cb70c6156fdb0d09111d5ba6ab9298fca5d3213a32161983667/CheeseLiamRandlesMartin_609x411mm.jpg" data-mid="160456839" border="0" alt="&lsquo;Suspended Cheeses at Mediterranean Wholesalers&rsquo;, 2020, archival inkjet print (detail)" data-caption="‘Suspended Cheeses at Mediterranean Wholesalers’, 2020, archival inkjet print (detail)" src="https://freight.cargo.site/w/1000/i/53150017a3ca9cb70c6156fdb0d09111d5ba6ab9298fca5d3213a32161983667/CheeseLiamRandlesMartin_609x411mm.jpg" /> <img width="1726" height="1166" width_o="1726" height_o="1166" data-src="https://freight.cargo.site/t/original/i/6ab11f014985c328ce1f683f8da780a5224cd36a260ddb4e3a8fae055986a00a/DashLiamRandlesMartin_609x411mm.jpg" data-mid="160456840" border="0" alt="Dash Laundry Pods, $18.75 PKT, 2020 , archival inkjet print (detail)" data-caption="Dash Laundry Pods, $18.75 PKT, 2020 , archival inkjet print (detail)" src="https://freight.cargo.site/w/1000/i/6ab11f014985c328ce1f683f8da780a5224cd36a260ddb4e3a8fae055986a00a/DashLiamRandlesMartin_609x411mm.jpg" /> <img width="4928" height="3264" width_o="4928" height_o="3264" data-src="https://freight.cargo.site/t/original/i/1001356bea28dba0e2cb2da4184b98175f3b5e112a1e09354508e54a2c82eea3/DC5EF3EE-C619-459A-91F2-290D46C656D1.jpeg" data-mid="160456841" border="0" alt="Installation view" data-caption="Installation view" src="https://freight.cargo.site/w/1000/i/1001356bea28dba0e2cb2da4184b98175f3b5e112a1e09354508e54a2c82eea3/DC5EF3EE-C619-459A-91F2-290D46C656D1.jpeg" /> <img width="1726" height="1166" width_o="1726" height_o="1166" data-src="https://freight.cargo.site/t/original/i/529f1f32963600e844951ad45b0b5d13fc4636cc421bf407894a7c81f17b148c/LoungesLiamRandlesMartin_609x411mm.jpg" data-mid="160456842" border="0" alt="'Sun Lounges in the Front Garden of a House', 2021, archival inkjet print (detail)" data-caption="'Sun Lounges in the Front Garden of a House', 2021, archival inkjet print (detail)" src="https://freight.cargo.site/w/1000/i/529f1f32963600e844951ad45b0b5d13fc4636cc421bf407894a7c81f17b148c/LoungesLiamRandlesMartin_609x411mm.jpg" /> <img width="1726" height="1166" width_o="1726" height_o="1166" data-src="https://freight.cargo.site/t/original/i/e39d7098dbfe2ae571a3727aaaf6c2109ae24d3093342a1ec678413491ed47f9/RiceLiamRandlesMartin_609x411mm.jpg" data-mid="160456844" border="0" alt="'Rice, Spilled on the Footpath on Sydney Rd', 2020, archival inkjet print (detail)" data-caption="'Rice, Spilled on the Footpath on Sydney Rd', 2020, archival inkjet print (detail)" src="https://freight.cargo.site/w/1000/i/e39d7098dbfe2ae571a3727aaaf6c2109ae24d3093342a1ec678413491ed47f9/RiceLiamRandlesMartin_609x411mm.jpg" /> In Kurt Vonnegut’s 1969 novel Slaughterhouse Five, the protagonist Billy Pilgrim, comes into contact with a race of alien beings known as the Tralfamadorians. While they look radically different to Earthlings in terms of their appearance, Vonnegut gives more attention to another crucial difference between humans and Tralfamadorians, namely the fact they see all things in four dimensions. As far as they are concerned, “all moments, past, present and future, always have existed, always will exist”.¹ The consequence of this is that they perceive all instances of a subject’s being at once, stretching away to left and right like a distant mountain range. All moments are drawn to their consciousness until they exist both in and out of time; indeed, time becomes almost irrelevant, with all things being contained within each other without hierarchy. The Tralfomadorian view of time lends itself to an essentially determinist universe in which all subjects are little more than insects trapped in amber, helpless to exercise their agency.2 However, it might instead by argued that each subject sits at the centre of a network, constituted by innumerable chance encounters that could be said to constitute ‘fate’. From this perspective agency is jostled and bumped about, even as it continues on its heading. There is a concept in relativity known as a ‘light cone’, which is used to represent the emittance of a pulse of light at a point in spacetime.3 This light travels away from the event in all directions, similarly, as do ripples upon a pond; however, the important factor to remember is that this dispersal of light across space also occurs across time. That is to say, the traversal of a distance in space also takes a given amount of time; hence the concept of ‘spacetime’. Furthermore, at the same moment that an event emits light, it is also receiving light from other events, effectively sitting at the confluence of both a past and a future light cone.4 If we apply the concept of a light cone to the life of a subject, it seems difficult to consider it a singularity, fixed in time and insulated against external shocks. Instead, it is visibly awash in a turgid sea of relationships, tracing myriad lines away from itself towards the past and future. Events inscribe themselves upon the past as much as they do the future, constantly modifying one another and the relations that bind them.5 Several years ago, someone offered me the suggestion that we are misguided in assuming telepathy to be instantaneous in nature. Instead, he argued that latent potential of thoughts to bleed through to the present is itself a kind of telepathy; a psychic message echoing across the ages. There seems something quite poignant to this idea, a sense of romance that the theories of Tralfamadore and Einstein may lack. I am not a person who enjoys endings, and so it gives me a kind of peace to give myself over to this endless, recursive process of gestation and recognition, and to allow events to grow clear with the benefit of hindsight. To allow myself to be led back to the same place, and yet somehow changed. 1 Kurt Vonnegut, Slaughterhouse Five, or, the Children’s Crusade: A Duty-Dance with Death. London: Vintage, 2000. 22. 2 Vonnegut. 63. 3 Stephen Hawking, A Brief History of Time: From the Big Bang to Black Holes. London: Bantam Books, 2016. 29. 4 Hawking. 31. 5 Samo Tomšič, The Capitalist Unconscious. London: Verso, 2015. 26. Shown in 2022 at Rubicon Artspace, Melbourne https://liamrandlesmartin.com/Cut-Through-the-Now Tue, 29 Nov 2022 07:59:21 +0000 Liam Randles-Martin https://liamrandlesmartin.com/Cut-Through-the-Now <img width="1818" height="1228" width_o="1818" height_o="1228" data-src="https://freight.cargo.site/t/original/i/ae487dc629ee530808fb8af2a479a422adca7fee34005d637e0cf0dc810e5b33/000037.JPG" data-mid="160458000" border="0" src="https://freight.cargo.site/w/1000/i/ae487dc629ee530808fb8af2a479a422adca7fee34005d637e0cf0dc810e5b33/000037.JPG" /> <img width="4928" height="3264" width_o="4928" height_o="3264" data-src="https://freight.cargo.site/t/original/i/273a9811b4caa65d73538f8a9f7b0270c66ae919160ff9c954bd50b9d58d8603/4872463F-D7A1-4BB3-8199-BF4B11E5FC94.jpeg" data-mid="160457982" border="0" src="https://freight.cargo.site/w/1000/i/273a9811b4caa65d73538f8a9f7b0270c66ae919160ff9c954bd50b9d58d8603/4872463F-D7A1-4BB3-8199-BF4B11E5FC94.jpeg" /> <img width="1818" height="1228" width_o="1818" height_o="1228" data-src="https://freight.cargo.site/t/original/i/e48f4e94df620043197863da413ccbb8f906bb2a6fff5dac196d8f906a039d32/000038.JPG" data-mid="160458001" border="0" src="https://freight.cargo.site/w/1000/i/e48f4e94df620043197863da413ccbb8f906bb2a6fff5dac196d8f906a039d32/000038.JPG" /> <img width="4928" height="3264" width_o="4928" height_o="3264" data-src="https://freight.cargo.site/t/original/i/d091f3a1bfd411d91745fc97acf946305cc5a721d4904fc2dfa43641ae5a346f/EE5D95BB-6EFC-4C13-B69A-BE16825023FA.jpeg" data-mid="160457986" border="0" src="https://freight.cargo.site/w/1000/i/d091f3a1bfd411d91745fc97acf946305cc5a721d4904fc2dfa43641ae5a346f/EE5D95BB-6EFC-4C13-B69A-BE16825023FA.jpeg" /> <img width="1818" height="1228" width_o="1818" height_o="1228" data-src="https://freight.cargo.site/t/original/i/dc1b95a2f67f07dcebb59c22416fd07c59cff199f922b3052e2122d7be3b1079/000040.JPG" data-mid="160458003" border="0" src="https://freight.cargo.site/w/1000/i/dc1b95a2f67f07dcebb59c22416fd07c59cff199f922b3052e2122d7be3b1079/000040.JPG" /> “Around the corner from my house sits the former Melville’s Grain Store. Although it has been redeveloped as housing in the last several decades, there still remains some pieces of rail line running through the road, indicating where a railway siding once connected these buildings to the main line. Walking down Colebrook St is seems that, even as these tracks cut their way through space, they also cut their way through time, through the ‘nowness’ I occupy. This incision often puts me in mind of a palimpsest; some strange space where the matter of space and time grows increasingly thin. At times I imagine that the council has actually tried to remove the railway, but have failed in its attempt; unable, or unwilling, to diminish the relevance of the past to the present. At other times I find myself recalling the photos I saw once of the San Andreas fault line in California, a puckered scar indelibly carved upon the expanse of the Carrizo Plane.” Shown in 2022 at Rubicon Artspace, Melbourne https://liamrandlesmartin.com/The-True-History-of-Frank-Everett Sun, 22 Nov 2020 00:28:43 +0000 Liam Randles-Martin https://liamrandlesmartin.com/The-True-History-of-Frank-Everett Francis Michael Everett was born in 1895.&nbsp;He stood 5’8” tall, with blue eyes and dark hair.&nbsp;Once a week, often on Tuesday or Wednesday, he would walk home alone from work and on other days, he would travel with friends, often stopping at the Woodlands Hotel for a drink.&nbsp;He was fond of the folk song ‘Whiskey in the Jar’ and would often hum it to himself.&nbsp;He also had a slight limp, from a shrapnel wound in his right leg. And on the morning of July 22nd, 1932, Frank Everett was 37 years old. <img width="3091" height="2048" width_o="3091" height_o="2048" data-src="https://freight.cargo.site/t/original/i/43b7206c7951a26d3f89be79d64610d5970b9546a111646d9172c503b8912d31/000068670035.00_00_07_04.Still002.jpg" data-mid="89645314" border="0" alt="Video Still: The True History of Frank Everett (Single-Channel Video, 17.53)" data-caption="Video Still: The True History of Frank Everett (Single-Channel Video, 17.53)" src="https://freight.cargo.site/w/1000/i/43b7206c7951a26d3f89be79d64610d5970b9546a111646d9172c503b8912d31/000068670035.00_00_07_04.Still002.jpg" /> <img width="2000" height="1326" width_o="2000" height_o="1326" data-src="https://freight.cargo.site/t/original/i/d4832dfa06eceed41028a113fe655f8a8a2bde7d5a3b15c15605dcfe09a8490d/Screen-Shot-2020-11-22-at-12.51.13-pm.png" data-mid="89645316" border="0" alt="Video Still: The True History of Frank Everett (Single-Channel Video, 17.53)" data-caption="Video Still: The True History of Frank Everett (Single-Channel Video, 17.53)" src="https://freight.cargo.site/w/1000/i/d4832dfa06eceed41028a113fe655f8a8a2bde7d5a3b15c15605dcfe09a8490d/Screen-Shot-2020-11-22-at-12.51.13-pm.png" /> <img width="1994" height="1320" width_o="1994" height_o="1320" data-src="https://freight.cargo.site/t/original/i/425a2dd24faab5a26546eab059327422e13bfd693976f6b1024c4b7df31f6112/Screen-Shot-2020-11-22-at-12.52.02-pm.png" data-mid="89645318" border="0" alt="Video Still: The True History of Frank Everett (Single-Channel Video, 17.53)" data-caption="Video Still: The True History of Frank Everett (Single-Channel Video, 17.53)" src="https://freight.cargo.site/w/1000/i/425a2dd24faab5a26546eab059327422e13bfd693976f6b1024c4b7df31f6112/Screen-Shot-2020-11-22-at-12.52.02-pm.png" /> <img width="2002" height="1326" width_o="2002" height_o="1326" data-src="https://freight.cargo.site/t/original/i/d35f65ca7287aaeed66906ec384fa8c0093ed810c5c9531218c8182a6185c434/Screen-Shot-2020-11-22-at-12.51.39-pm.png" data-mid="89645317" border="0" alt="Video Still: The True History of Frank Everett (Single-Channel Video, 17.53)" data-caption="Video Still: The True History of Frank Everett (Single-Channel Video, 17.53)" src="https://freight.cargo.site/w/1000/i/d35f65ca7287aaeed66906ec384fa8c0093ed810c5c9531218c8182a6185c434/Screen-Shot-2020-11-22-at-12.51.39-pm.png" /> <img width="2000" height="1320" width_o="2000" height_o="1320" data-src="https://freight.cargo.site/t/original/i/d4a91125b7a04894400556547c83fd9a8b4b6ee662c060972abf3d6bdd5e8d51/The-True-History-of-Frank-Everett-4.png" data-mid="91188697" border="0" alt="Video Still: The True History of Frank Everett (Single-Channel Video, 17.53)" data-caption="Video Still: The True History of Frank Everett (Single-Channel Video, 17.53)" src="https://freight.cargo.site/w/1000/i/d4a91125b7a04894400556547c83fd9a8b4b6ee662c060972abf3d6bdd5e8d51/The-True-History-of-Frank-Everett-4.png" /> <img width="4668" height="3179" width_o="4668" height_o="3179" data-src="https://freight.cargo.site/t/original/i/e19a107acc084859b1fe2159c86bf707ce05cc157e007e5bf5fcff97c32ef45d/Fake-Evidence-1.jpg" data-mid="91188749" border="0" alt="Installation view: Fake Evidence, mixed media" data-caption="Installation view: Fake Evidence, mixed media" src="https://freight.cargo.site/w/1000/i/e19a107acc084859b1fe2159c86bf707ce05cc157e007e5bf5fcff97c32ef45d/Fake-Evidence-1.jpg" /> <img width="4928" height="3264" width_o="4928" height_o="3264" data-src="https://freight.cargo.site/t/original/i/8f19dd3c146f2c51f4e0d4d15c8dfe0782956036e04a8453abb68550edadcf8d/Fake-Evidence-3.jpg" data-mid="91188762" border="0" alt="Installation view: Fake Evidence, mixed media" data-caption="Installation view: Fake Evidence, mixed media" src="https://freight.cargo.site/w/1000/i/8f19dd3c146f2c51f4e0d4d15c8dfe0782956036e04a8453abb68550edadcf8d/Fake-Evidence-3.jpg" /> <img width="4928" height="3264" width_o="4928" height_o="3264" data-src="https://freight.cargo.site/t/original/i/18860a983f572f1e688f93074ba385c96f9d284fd6027c5aa3fb142cee9e882a/Fake-Evidence-4.jpg" data-mid="91188763" border="0" alt="Installation view: Fake Evidence, mixed media" data-caption="Installation view: Fake Evidence, mixed media" src="https://freight.cargo.site/w/1000/i/18860a983f572f1e688f93074ba385c96f9d284fd6027c5aa3fb142cee9e882a/Fake-Evidence-4.jpg" /> <img width="4928" height="3264" width_o="4928" height_o="3264" data-src="https://freight.cargo.site/t/original/i/7b77b90bda2106fde87f6811d096fac9be1c16ccce45c590763c53941800e45b/Fake-Evidence-5.jpg" data-mid="91188764" border="0" alt="Installation view: Fake Evidence, mixed media" data-caption="Installation view: Fake Evidence, mixed media" src="https://freight.cargo.site/w/1000/i/7b77b90bda2106fde87f6811d096fac9be1c16ccce45c590763c53941800e45b/Fake-Evidence-5.jpg" /> <img width="4928" height="3264" width_o="4928" height_o="3264" data-src="https://freight.cargo.site/t/original/i/225f2422b28cd3ce0b287e23c35042d9ab94ad97d78c4adbad5df768ef0f67bd/Fake-Evidence-6.jpg" data-mid="91188765" border="0" alt="Installation view: Fake Evidence, mixed media" data-caption="Installation view: Fake Evidence, mixed media" src="https://freight.cargo.site/w/1000/i/225f2422b28cd3ce0b287e23c35042d9ab94ad97d78c4adbad5df768ef0f67bd/Fake-Evidence-6.jpg" /> Shown in 2020 at the Victorian College of the Arts, Melbourne. https://liamrandlesmartin.com/Pseudochronology Thu, 01 Oct 2020 07:13:49 +0000 Liam Randles-Martin https://liamrandlesmartin.com/Pseudochronology <img width="4928" height="3264" width_o="4928" height_o="3264" data-src="https://freight.cargo.site/t/original/i/3c0c4681ed4006c4fcbb02c7abf0ad8352575592123478a89f24ab7477e83d29/Pseudochronology-Jacob-s-Reserve--2019.jpg" data-mid="84268374" border="0" data-scale="96" alt="'Pseudochronology (Jacob's Reserve)', slide projector, 81 photographic slides (40:00)" data-caption="'Pseudochronology (Jacob's Reserve)', slide projector, 81 photographic slides (40:00)" src="https://freight.cargo.site/w/1000/i/3c0c4681ed4006c4fcbb02c7abf0ad8352575592123478a89f24ab7477e83d29/Pseudochronology-Jacob-s-Reserve--2019.jpg" /> <img width="4928" height="3264" width_o="4928" height_o="3264" data-src="https://freight.cargo.site/t/original/i/7f3e289980dbda45d2b65affa99f4985cd1a767139a94e336583dde0ba9ccf83/DSC_9899.jpg" data-mid="84268406" border="0" alt="Installation view: slide projector" data-caption="Installation view: slide projector" src="https://freight.cargo.site/w/1000/i/7f3e289980dbda45d2b65affa99f4985cd1a767139a94e336583dde0ba9ccf83/DSC_9899.jpg" /> <img width="1772" height="1174" width_o="1772" height_o="1174" data-src="https://freight.cargo.site/t/original/i/a9b035ff0b905c31fbeb3a5d3e14f3f6a65124346aee9e745d6e0c2e8317b846/Liam-Martin--Pseudochronology-Jacobs-Reserve--2019-300dpi.jpg" data-mid="84266728" border="0" alt="Detail: 'Pseudochronology (Jacob's Reserve)'" data-caption="Detail: 'Pseudochronology (Jacob's Reserve)'" src="https://freight.cargo.site/w/1000/i/a9b035ff0b905c31fbeb3a5d3e14f3f6a65124346aee9e745d6e0c2e8317b846/Liam-Martin--Pseudochronology-Jacobs-Reserve--2019-300dpi.jpg" /> <img width="4928" height="3264" width_o="4928" height_o="3264" data-src="https://freight.cargo.site/t/original/i/f4b3da1afda43298e0aa248512b698274858fc1701624f3b9b65abd0897ce1ac/DSC_9853.jpg" data-mid="84268748" border="0" alt="Installation view: 'Pseudochronology (Jacob's Reserve)'" data-caption="Installation view: 'Pseudochronology (Jacob's Reserve)'" src="https://freight.cargo.site/w/1000/i/f4b3da1afda43298e0aa248512b698274858fc1701624f3b9b65abd0897ce1ac/DSC_9853.jpg" /> &nbsp; Shown in 2019 at Trocadero Artspace, Melbourne https://liamrandlesmartin.com/How-I-Learned-to-Stop-Worrying-and-Love-the-Bomb Thu, 01 Oct 2020 06:55:20 +0000 Liam Randles-Martin https://liamrandlesmartin.com/How-I-Learned-to-Stop-Worrying-and-Love-the-Bomb <img width="5454" height="3620" width_o="5454" height_o="3620" data-src="https://freight.cargo.site/t/original/i/0a16cd77cdbf0f0ce6ebd2c23c43ab3f2481893f6e5bd6f060b0427525733365/Liam-5-MADANOW2018day1-0129.jpg" data-mid="84266662" border="0" alt="Installation view" data-caption="Installation view" src="https://freight.cargo.site/w/1000/i/0a16cd77cdbf0f0ce6ebd2c23c43ab3f2481893f6e5bd6f060b0427525733365/Liam-5-MADANOW2018day1-0129.jpg" /> <img width="5132" height="3419" width_o="5132" height_o="3419" data-src="https://freight.cargo.site/t/original/i/99e8a3b522dcf00248a90e61e8340a2859bef1207a936ab15f44d16cb9cfb31a/Liam-2-MADANOW2018day1-0132-1.jpg" data-mid="84267446" border="0" alt="Installation view: 'Laneway-5.gif'" data-caption="Installation view: 'Laneway-5.gif'" src="https://freight.cargo.site/w/1000/i/99e8a3b522dcf00248a90e61e8340a2859bef1207a936ab15f44d16cb9cfb31a/Liam-2-MADANOW2018day1-0132-1.jpg" /> <img width="5369" height="3579" width_o="5369" height_o="3579" data-src="https://freight.cargo.site/t/original/i/2be2005ad5149453df5dd70743876250591ef37fe5e011dc5f93b1ebffbcc675/Liam-1-MADANOW2018day1-0133.jpg" data-mid="84267445" border="0" alt="Installation view: 't-consensus.gif'" data-caption="Installation view: 't-consensus.gif'" src="https://freight.cargo.site/w/1000/i/2be2005ad5149453df5dd70743876250591ef37fe5e011dc5f93b1ebffbcc675/Liam-1-MADANOW2018day1-0133.jpg" /> <img width="3648" height="5472" width_o="3648" height_o="5472" data-src="https://freight.cargo.site/t/original/i/cf0e5adc2a41d3d598dc9b876c99231a77338715440bcf7a75bcbeb53cd1a9dd/Liam-4-MADANOW2018day1-0130.jpg" data-mid="84267447" border="0" alt="Installation view: &lsquo;Consumed.gif&rsquo;" data-caption="Installation view: ‘Consumed.gif’" src="https://freight.cargo.site/w/1000/i/cf0e5adc2a41d3d598dc9b876c99231a77338715440bcf7a75bcbeb53cd1a9dd/Liam-4-MADANOW2018day1-0130.jpg" /> <img width="2064" height="1236" width_o="2064" height_o="1236" data-src="https://freight.cargo.site/t/original/i/fda60857e13796a0230e1cd773291ba731b9942542068940e2b7b1bce6731df4/Consumed.gif-detail.png" data-mid="84267440" border="0" alt="Detail: &lsquo;Consumed.gif&rsquo;" data-caption="Detail: ‘Consumed.gif’" src="https://freight.cargo.site/w/1000/i/fda60857e13796a0230e1cd773291ba731b9942542068940e2b7b1bce6731df4/Consumed.gif-detail.png" /> <img width="2328" height="1304" width_o="2328" height_o="1304" data-src="https://freight.cargo.site/t/original/i/94801c63e69d75e5c69025c59ae57902701450c5b74dea9fff45d6e596b28ca3/Imagesimulation.gif-detail--.png" data-mid="84267441" border="0" alt="Detail: &lsquo;Imagesimulation.gif&rsquo;" data-caption="Detail: ‘Imagesimulation.gif’" src="https://freight.cargo.site/w/1000/i/94801c63e69d75e5c69025c59ae57902701450c5b74dea9fff45d6e596b28ca3/Imagesimulation.gif-detail--.png" /> &nbsp; Shown in 2018 at Monash University, Melbourne &nbsp; Received the&nbsp;Chapman and Bailey Award in 2018 https://liamrandlesmartin.com/Oh-How-I-Sighed Thu, 01 Oct 2020 08:18:46 +0000 Liam Randles-Martin https://liamrandlesmartin.com/Oh-How-I-Sighed <img width="6852" height="4529" width_o="6852" height_o="4529" data-src="https://freight.cargo.site/t/original/i/f6364efc17ac9e67d1952b3e93477db72d55e045bbaa23a505b513e1dffefe8f/DSC_7650-print-border.jpg" data-mid="84269252" border="0" data-scale="97" alt="'Waiting for the Rapture', archival inkjet print" data-caption="'Waiting for the Rapture', archival inkjet print" src="https://freight.cargo.site/w/1000/i/f6364efc17ac9e67d1952b3e93477db72d55e045bbaa23a505b513e1dffefe8f/DSC_7650-print-border.jpg" /> <img width="4928" height="3264" width_o="4928" height_o="3264" data-src="https://freight.cargo.site/t/original/i/e7af012dace66023d8f1e616c88c090536d1fcd94d588bbf88fb6474e0fb3bf9/DSC_7771.jpg" data-mid="84269335" border="0" alt="'Race to the Finish', archival inkjet print" data-caption="'Race to the Finish', archival inkjet print" src="https://freight.cargo.site/w/1000/i/e7af012dace66023d8f1e616c88c090536d1fcd94d588bbf88fb6474e0fb3bf9/DSC_7771.jpg" /> <img width="4928" height="3264" width_o="4928" height_o="3264" data-src="https://freight.cargo.site/t/original/i/3d4c1301a2df8f0ae2dd7915dbbcfc1dd90eecdcc2badc803bb956806e9ac846/DSC_4113.jpg" data-mid="84269407" border="0" alt="Installation view: 'Lost Lover's Kiss', 'Silent Lamentation'" data-caption="Installation view: 'Lost Lover's Kiss', 'Silent Lamentation'" src="https://freight.cargo.site/w/1000/i/3d4c1301a2df8f0ae2dd7915dbbcfc1dd90eecdcc2badc803bb956806e9ac846/DSC_4113.jpg" /> <img width="4928" height="3264" width_o="4928" height_o="3264" data-src="https://freight.cargo.site/t/original/i/55c527a00ba4441dc95fb9c500df961ed210be4ad3bab8158ab7fe732352699d/DSC_4149.jpg" data-mid="84269409" border="0" alt="Installation view: 'Lost Lover's Kiss'" data-caption="Installation view: 'Lost Lover's Kiss'" src="https://freight.cargo.site/w/1000/i/55c527a00ba4441dc95fb9c500df961ed210be4ad3bab8158ab7fe732352699d/DSC_4149.jpg" /> &nbsp; Shown in 2018 at Intermission Gallery, Melbourne